Rather than reviewing these books, I’m just going to talk about some of the things they do; specifically, some of the wonderfully queer things they do. Since I am covering both An Accident of Stars and A Tyranny of Queens, there will be SPOILERS in this post, as well as TRIGGER WARNINGS for discussion of rape and sexual assault. The blurb of An Accident of Stars can be found here.
These books are the portal fantasy of my heart. In a way that something like Every Heart A Doorway appears to have been for others, the Manifold Worlds tapped into everything I loved about portal fantasy, everything books like Narnia ever set up for me, and also into everything I never saw in portal fantasy: real consequences, real people, real lives. This is a series that engages with issues of mental health, consent, different manifestations of queerness, power, perceptions and how they can be clouded, and even the very idea of narrative; that is a backbone of the whole duology, in fact. The Manifold Worlds are meaty, meaty books to get your teeth into.
Let’s start by talking about queerness. This is a series which not only has multiple trans characters, but it also depicts multiple ways of being trans, and ways of relating to one’s body. Yena, who we meet in An Accident of Stars, is a trans woman, who used a magical ritual to bring her body in line with her self-image as a woman. This is, per the worldbuilding Meadows does in her primary secondary world, a fairly standard thing; not exactly common, but no stigma attaches to it, and it’s just something you can do. However, another character, Naruet, a trans man we meet in A Tyranny of Queens, does not wish to change his body; mention is made early on of his binder, and later in the book he talks explicitly about not wanting to change his body, for various reasons. Again, this isn’t judged; it’s simply his choice, and that’s all that matters: he’s a man with this body, and that’s fine too. Meadows has built a world so incredibly powerfully accepting for trans people in a way reality isn’t, yet, and reading it feels like coming home.
This is also a world where sexuality is seen as much more fluid, and polyamorous bisexuality the assumed norm. In both An Accident of Stars and A Tyranny of Queens, Meadows gives us multiple models of relationships in various forms, whether couples or larger groups, of various gender combinations, and none are valued or devalued; the central theme is trust and mutual respect and openness. Meadows makes it a point to build every good relationship on those foundations, and reveals, in A Tyranny of Queens, that a key relationship was built on manipulation and lies and shows how much damage that can do to everyone around the manipulator, but especially their primary victim.
Indeed, The Manifold Worlds deals with sexual assault and other kinds of trauma on multiple occasions; sexual assault is most explicitly a theme in A Tyranny of Queens, but trauma of all kinds runs through both books, including of physical injury, complete culture shock, and the result of abuse. Saffron, one of the viewpoint characters and protagonists, has PTSD which becomes gradually more pronounced in An Accident of Stars, climaxing in her treatment by a counsellor in A Tyranny of Queens and the complete failure of those around her to understand her PTSD, except for a character who was victim of a rape, but not believed by anyone; Meadows doesn’t expicitly make statements, but does expect the reader to draw a particular conclusion. Further, Leoden, the primary antagonist of An Accident of Stars, is revealed to have been literally brainwashed and mindwiped by his consort Kadeja, who takes over the role of primary antagonist for A Tyranny of Queens; the reactions of different characters to this revelation – including disbelief, blaming him, and blaming themselves for not protecting him or seeing it – are portrayed with an incredible complexity, and an emotional empathy which doesn’t stop Meadows from coming down on one side of the issue. Trauma isn’t the only engagement with neurodiversity in The Manifold Worlds; the aforementioned trans man, Naruet, is portrayed as being autistic, and characters in A Tyranny of Queens adapt to his needs and requirements virtually without comment or without pressuring him to neurotypicality.
On a more purely narrative level, The Manifold Worlds is interesting for how it deals with the idea of narrative. In both books, there is the order of the Shavaktiin, “mystics and storytellers who believe that history is shaped by human stories” (to quote the glossary), who both observe and involve themselves in events as recorders and as influencers. Meadows plays with the way the Shavaktiin abrogate agency to the Great Story whilst also having to exercise it all the time in their choice of interventions in service to it; An Accident of Stars, in fact, turns on the idea of how much agency Shavaktiin are allowed to display, and A Tyranny of Queens takes up that thread, with interesting consequences for what we might call genre-savviness, only rather less genre-specific and more related to the shape of human narrative.
On the whole, portal fantasy doesn’t have major traumatic psychological consequences for the characters, and the portals they step through are usually into worlds far more familiarly normative. Foz Meadows, in The Manifold Worlds, throws those norms completely out of the window, and does so with gusto and relish; reading these books was like coming home to me, to a place I was welcome and known in, and where the friends I know exist and have a home too. For all the marginalised people out there, I cannot recommend these books highly enough.