Revealed•The terrible truth about why humans were created – and why we’ll never discover aliens. •A tale of three wishes, after the end of the world. •A family reunion in which some of the attendees aren’t human any more – but they’re still family. •TFW you try to solve a problem with time travel, and now you have two problems. •The love affair between the man who can see the one true foreordained future and the woman who can see all the possible futures. •And a coda to Anders’ bestselling All the Birds in the Sky, answering the burning question of what happened to Patricia’s cat.
Charlie Jane Anders has been building her genre bona fides for some time; beyond her role as cofounding editor of io9 with her wife Annalee Newitz, she’s been nominated for the Nebulas, Sturgeons, and Hugos multiple times, winning a Hugo in 2012 for the titular story of this, her first short fiction collection.
Six Months, Three Days, Five Others is an interesting collection; while seemingly disparate at first glance, comprising a mixture of science fiction, fantasy, science fantasy, and urban fantasy, stories, there are some themes which emerge from the six stories in the collection. The biggest of those is Anders’ interest in romance and love; an oft overlooked idea in genre fiction, love of various kinds is either central to or plays a major role in every story in this set.
“The Fermi Paradox Is Our Business Model” is an odd choice to open the collection with, as the least strong story collected. While amusing, and while the characterisation works very well, the aliens are far too human as characters, despite their apparent physical differences. They’re rescued somewhat by the way Anders threads a tense romance between them through the story, and the execution of their relationship. The plot itself feels like a joke extended rather too far, and the ending of the story feels like it demonstrates that Anders didn’t quite know where to go with it.
“As Good As New” is a rather stronger tale; Anders takes a traditional fairy story, resets it in a postapocalyptic landscape, and subverts it. The banality of much of the story, in contrast to its actual events and weightiness, is brilliantly balanced, and adds a lot of humour to what could otherwise have become more a philosophical problem than a piece of fiction. The role of fictional drama of various kinds within the story itself is also rather masterful, and really lets Anders play with narrative.
“Intestate” is another odd story that could almost only have come from Anders. In it, she plays between mimetic fiction and speculative; the open-endedness of the story is not just about the events afterwards, but about the reality of the shared ideas the characters have within it. The combination of themes of posthumanism and technological personal upgrades with family strains and tensions is handled well, and the balance between the two, with each reinforcing the other, works fantastically. It could have seen the characters a little better fleshed out, but overall, it is effective.
“The Cartography of Sudden Death” is an odd time travel story. The drive that pulls Ythna through the story is powerful, but often eclipsed by simple events, and Jemima’s motivation and characterisation is basically completely blank. The action is fast-paced and well written, really punchy stuff, and it’s an interesting take on the inevitable rise and fall of empire and society, but the flat characterisations and lack of motivation of the primary actors makes it feel a little hollow.
“Six Months, Three Days” is the longest story in the collection, and one of the quietest; it is about a relationship between two clairvoyants, whose clairvoyance work in different ways. There aren’t world-shattering events involved, and the stakes are almost entirely personal; Anders keeps the story on a very human level, and the friction between the two main characters is far more powerful as a result. It’s a little solipsistic, and the engagement with free will versus clairvoyance can feel a little light and frivolous, but really, this is a beautiful story about love, and about male arrogance.
“Clover” closes the story with another small, quiet, domestic romance. Anders’ strength of writing, using the supernatural to simply exaggerate the mimetic, is on full display in this story; the ups and downs of a relationship, the strains and difficulties of romance, are emphasised but not created by the minor magical elements of the story. It’s a beautiful piece, and the way Anders writes both the cats and the humans involved in the tale is incredibly well done, although one suspects cats aren’t quite this human. It’s worth noting that although this ties into All the Birds in the Sky, and has greater poignancy if you’ve read that novel, it stands perfectly well on its own and retains all its own beauty.
Six Months, Three Days, Five Others isn’t a perfect collection, but its strongest stories are absolutely brilliant, and Anders’ writing of romance is truly a wonderful thing to read. More, please!
If you found this review useful, please support my ability to write by contributing to my Patreon.