In the future, everyone will be trans.
So says Lexi. She’s a charismatic trans woman furious with the way she sees her trans friends treated by society and resentful of the girl who spurned her love. Now, Lexi has a plan to wreak her vengeance: a future in which no one can produce hormones and everyone must make the same choice that she made—what body best fits your gender?
I first heard about Infect Your Friends And Loved Ones through Helen McClory’s Unsung Letter, specifically Letter 37 by Anya Johanna DeNiro; a novella about trans lives, literalising the transphobic myth of trans as contagion, by a trans woman? I’ll be reading that!
Peters’ novella is a slim volume, barely over 60 pages long; but Infect Your Friends and Loved Ones packs a lot into that space. It’s a story about trans life now, and the trans community; about the toxicity of masculinity, and the cisheteropatriarchy; about the way trans people are treated by society, and the way trans women are fetishised, othered, and attacked. The narrative jumps back and forth around time; so we see trans women in the modern world, marginalised and mistreated by cis men who claim to love them, and in the post-contagion future, where everyone has to choose gender, but trans people are the scapegoats for the problem, blamed (albeit accurately) for its existence.
Peters’ narrative strength rests on its characters. There are two whose interactions colour every part of the narrative; Lexi, and the unnamed narrator, a former friend and lover of Lexi. Infect Your Friends and Loved Ones makes Lexi both charismatic and unlikeable; her passion and dysfunction are incredibly powerful and draw the reader to her strongly, while her willingness to lash out and hurt those around her, and her manipulative nature repels the reader at the same time. This is also true of the self-centred trans woman whose voice the whole story is told in; less charismatic, and more obviously self-centred, she is a frustrating guide to events, with her sense of self-worth so obviously contingent on the approval of those around her. Both characters are incredibly believable and sympathetic, and their growth over the course of the narrative is effective and well written; Peters understands the way people change and develop and puts that in here very effectively.
The worldbuilding is quite slim; Infect Your Friends and Loved Ones has some vague sketches about the impact of everyone having to take hormones all the time, and of government supplying hormones to everyone, although it doesn’t really get into that, beyond looking at the black market supply of hormones to cis people (something that is a reality for many trans people in the present day). Peters isn’t really interested in the effects of the contagion on cis people, or for that matter on intersex people (which, given the premise of the novella, is a rather problematic piece of erasure); she’s really only interested in the effect on trans women.
That erasure of intersex people is symptomatic; Infect Your Friends and Lovers has two types of characters in: cis men, and trans women. No other kind of character gets a look in; cis women are mentioned at most in passing, in relation to husbands or boyfriends, and intersex, nonbinary or trans male people simply don’t exist in the narrative. Peters isn’t interested in their stories, and seems to be saying that solidarity is for trans women; that trans women’s communities are all, and only, about supporting people who identify as women. This doesn’t reflect the trans community I know, nor one I would wish to believe in.
In the end, Infect Your Friends and Loved Ones is an interesting novella, and the emphasis it places on a sense of community is hugely important; but Peters’ erasure of trans people who don’t identify as women is a severe dampener on this whole work.
If you would like to support these reviews, and the trans community, and have a chance at winning a book, all at once, please take a look at this post requesting donations or activism to trans causes.