The Prophet is dead.
The eyes of the Gods have turned to his daughter. But she isn’t ready. Not for the whispers in her ear, for the divinations… for the blood. Her people’s history and their future, carved by ancients into the bones of long dead behemoths, are now her burden. Only she can read them, interpret the instructions, and guide them to the Promised Land.
Their journey is almost at an end, but now, without the Prophet, she must find a way to guide them to the place they will call Home. Through blood and through sand, against the will of her own flock, against the horrors that haunt the darkness, only she can bring her people Home.
The Prophet is dead. Long live the Prophetess.
I’ve already reviewed Sarah Gailey’s American Hippo duology on the blog, so the author needs no real introduction; The Fisher of Bones was published for free in serialised form at the fantastic Fireside Fiction, as well as in a collected edition that came out halfway through the serialisation; this review is of the collected volume.
The Fisher of Bones is essentially a religious novella; it is about Fisher, who has taken the place of her father, Fisher, as the prophet of the Children of the Gods leading them from a secular land which has banished its divinities to a Promised Land described in revealed scriptures on the bones of extinct creatures. The plot describes the journey from the point at which Fisher’s father dies to the arrival at the Promised Land; along the way, the pilgrims meet and bring into their ranks outsiders, lose members, and have to deal with logistical problems. And then, of course, they arrive.
The simplicity of the plot is a strength, given what Gailey is really concerned with in The Fisher of Bones: faith and authority. Fisher is, after all, a new prophet to her flock, and Gailey deals with some of the consequences of that, such as the mistrust attendant upon her among some and the lack of faith in her ability to lead. The different manifestations of religious faith are also brilliantly handled; Fisher’s essentially nonhierarchical faith running up against the increasing idea of a hierarchy among some of her flock, for instance, or the way Fisher’s attitudes, and those of others, are permeated by the sense that everything the gods give is a positive gift, even if it is not always immediately apparent as such. The handling of faith is very sensitive and intelligent, and Gailey really embraces the centrality of it to her characters and plot.
The other big theme Gailey deals with is fertility and blood. The Fisher of Bones is one of the few stories centring a woman where periods play pivotal roles in the plot and emotional development of the story; in different ways, and at different times, characters’ periods or lack thereof is key. Similarly, Fisher’s pregnancy is brilliantly described, although the mysticism around her giving birth is a little frustrating; the physicality of the fertile womb is wholly embraced in Gailey’s writing and shown with a rare bluntness.
That isn’t to say The Fisher of Bones is simply a dry exploration of big themes. Fisher is a fascinating character, as is her friend Naomi; both are practical women with faith, whose practicality, faith and friendship can put them at odds or in alliance. The way the two are developed and written across the course of the novella is fascinating and beautiful. Unfortunately, they’re the only two particularly solid characters; the closest to another we see is Marc, the husband of Fisher, whose character is rather two dimensional and undergoes a dramatic revelation part way through to become a very different, equally two dimensional character, with little discussion of the effect of that on the relationship between the two characters.
The Fisher of Bones packs perhaps its best punch at the very close of the novella; Gailey fantastically turns everything upside down in a wholly unexpected way, and reconfigures everything that has come before. To say too much would be to spoil the impact of a brilliant close, though, to a novella that, while not as good as some of her other work, is still a brilliant piece of writing from an excellent author.
Disclaimer: Sarah Gailey and Pablo Defendi, publisher of Fireside Fiction which published Fisher of Bones in both serialised and collected forms, are both friends of the reviewer.
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