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As the city rebuilds from the onslaught of sorcery that nearly destroyed it, the Great Houses of Paris, ruled by fallen angels, still contest one another for control over the capital.
House Silverspires was once the most powerful, but just as it sought to rise again, an ancient evil brought it low. Philippe, an immortal who escaped the carnage, has a singular goal—to resurrect someone he lost. But the cost of such magic may be more than he can bear.
In House Hawthorn, Madeleine the alchemist has had her addiction to angel essence savagely broken. Struggling to live on, she is forced on a perilous diplomatic mission to the underwater Dragon Kingdom—and finds herself in the midst of intrigues that have already caused one previous emissary to mysteriously disappear…
As the Houses seek a peace more devastating than war, those caught between new fears and old hatreds must find strength—or fall prey to a magic that seeks to bind all to its will.
Back in 2015, I reviewed House of Shattered Wings, Aliette de Bodard’s introduction to the world of a Paris broken by magical warfare and the emergence of the Fallen. de Bodard has returned to that world two years later with The House of Binding Thorns; does it live up to the high bar of its predecessor?
Whereas House of Shattered Wings had a strong focus on Silverspires, House of Binding Thorns shifts focus to a dual one; on Silverspires’ rival, Hawthorn, who we only saw as dark antagonists in House of Shattered Wings, and on the dragon kingdom in the Seine, which was only a bit part before. This shift in focus means de Bodard does a lot of new of worldbuilding; each place she shows us has such a sense of rootedness and geographical specificity that it really feels inhabited, lived in, aged and fallen. The whole world’s decrepitude takes different forms; de Bodard isn’t content to just let Paris fall, but it has to fall in ways that make sense for the part of Paris it is – whether rusted, or faded grandeur, or the mold of the dragon kingdom, each one evokes a past golden age as well as showing us the gaps between the aspirations of characters and the realities of their situations. Places are as much characters as the people are.
That only works because House of Binding Thorns is full of very human people, from the returning Philippe and Madeleine to the expanded role of Asmodeus, and the new characters – the dragon prince spying on Hawthorn, Thuan; the Annamite Houseless Françoise and her Fallen lover Berith. de Bodard has four protagonists and three major viewpoints in the novel, an impressive number to handle (Asmodeus is a protagonist but never a viewpoint); but she does it deftly and with a clear demarcation of shifts in viewpoint, as much in writing style as in physical markers of line breaks. The narrative control here is much stronger than in House of Shattered Wings, and the occasional messiness that plagued the first book is definitely cleared up here for a more streamlined reading experience.
That applies to the plot too; The House of Binding Thorns is a deeply political novel with tangled intrigues moving into and through each other. The factions within Hawthorn, and within the dragon kingdoms, as well as outside groups, all of whom have different agendas and who can be at times unfortunately unwilling to recognise that there might be more factions at play than they initially assumed, each have their own plans that intersect in ways that de Bodard keeps a very tight control of. Everything that happens here has had its trail laid earlier, to a greater or lesser extent, and things refer backwards and forwards in interesting ways; de Bodard lays strands of plot to the side temporarily only to pick them up again later, but in a very deliberate way that really builds the novel.
Thematically, The House of Binding Thorns is an expansion on the ideas of House of Shattered Wings, and an interesting one; it looks at power, and different kinds of approaches to it; it looks at what being a part of something bigger than oneself can mean; it looks at conceptions of sacrifice, and what one might be willing to sacrifice; and in Madeleine’s sections, it looks at addiction and PTSD with an intelligent and sympathetic eye, without cliche. de Bodard never lets theme overtake story, so The House of Binding Thorns moves at a good pace; it isn’t a fast novel, but it’s not sprawling either, more a kind of stately procession that turns into a bit of a brawl at the close, but intentionally and in a very controlled and clear way.
House of Binding Thorns is a grand and striking expansion upon the world of the Dominion of the Fallen, and a powerful novel from de Bodard, who really brings her full talents to bear on every aspect of the book. A distinct level up from someone who was already a master.
DISCLOSURE: Aliette is a good friend, who I’ve hosted here for guest spots in the past and will again; and I purchased a Tuckerisation in the novel for my partner.
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